When I returned from Indian Creek, I came back to a new set of BD cams that I felt compelled to use at Smith. However, I didn’t feel compelled to climb at Smith after experiencing the euphoria of the Creek, the perfection of the cracks, the ease of placements… So Nina and I hopped on White Satin, a Smith classic. Two pitches of sport capped by a shortie dihedral (5.9) that would be a perfect initiation for my new gear.
The route was more of a reminder of why I’m moving to
So I left Smith afraid I’d never want to come back, and for the next week I felt disloyal. I knew there was a place in my heart for this crumbly choss pile, but compared to what I’d been climbing…I didn’t climb for a week and a half. Didn’t really miss it either. My body was still recovering from the Creek, my mind taken up with packing, saying goodbye, logistics, boring travel stuff, exciting plan-making.
Then I went out for a last hurrah, down to the Gorge with Nathan and Marco -
Driving out to Smith for the last time, it felt like last summer. My windows down, my music pumping, I was sweating until I dropped below the rim of the Gorge and the blessed shade took over. So few people climb there, it’s a different world, like the Land of the Lost. I descended into the lushness, listened to the startling sound of a waterfall, looked for the familiar red shorts of Nathan, for Marco’s smile, and I was home. I wasn’t feeling so sure of myself or my climbing, but Marco led
Bloodclot, here I come.
For the first time at Smith, I preferred sticking my hands and feet into the crack. Obviously I’ve reached a new level with my crack climbing (this is said in a pompous air with a head waggle and raised eyebrows).
I was afraid I wouldn’t make it. The thought of falling on my gear spurred me to place more, where I could, to climb carefully, to breathe. I was scared. I breathed a lot. You could say I huffed. I wasn’t sure if I would make it, but I took it one move at a time and I don’t remember much of the route, just snatches where I had to pause and work out a sequence, or the place I was convinced I was coming off.
Two goals accomplished: I got scared and I redpointed Bloodclot. I’ve still got reasons to return to Smith – The Optimist not being the least. But I’ve got a lot of exploring to do, experience to gather, my heels to kick up, and
Will I come back to
Something I’d like to clear up before I go:
The relationship between me and E. It could be that I read too much into her behavior, because apparently in that first week she was annoyed with Beth being so close as well, so she acted standoffish to everyone. It was still a good lesson for me – on two counts. One, not to assume everything is about me, and two, how to give space and preserve a relationship. We had a fun time together, and I’ll have to admit, we meshed well considering the tight quarters. But, both E and I learned about our road trip styles, and I don’t know that E will choose to have a road trip buddy in the near future. I can’t say I blame her. It’s so much easier to do exactly what you want, when you want, when it’s just you. Compromise…it’s overrated.
2 comments:
Anchen, I certainly miss you!
Love,
Sarah
You mention that after returning from the Creek you felt your climbing level had increased.
Isn't that just the coolest feeling? A new plateau & a different perspective! Suddenly, what was difficult is easy, and what was impossible, well, you can give it a shot. :o) I wonder, was it your technique that was perfected, or your mind-set? Obviously it wasn’t your physical-nature that got stronger (because you thrashed yourself), so it must have been something else entirely. Pretty freakin’ cool!
If anyone has earned it, you have!
Have a wonderful day love!
---
Morning (Love Sonnet XXVII) by Pablo Neruda
Naked you are simple as one of your hands;
Smooth, earthy, small, transparent, round.
You've moon-lines, apple pathways
Naked you are slender as a naked grain of wheat.
Naked you are blue as a night in Cuba;
You've vines and stars in your hair.
Naked you are spacious and yellow
As summer in a golden church.
Naked you are tiny as one of your nails;
Curved, subtle, rosy, till the day is born
And you withdraw to the underground world.
As if down a long tunnel of clothing and of chores;
Your clear light dims, gets dressed, drops its leaves,
And becomes a naked hand again.
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